Groove Research
Inspired by the transformative impact of my experiences in the underground clubbing scene, I began a systematic exploration of Groove—investigating not only its powerful healing qualities but also its defining features and technical parameters. These formal features shape and define the container (Groove) within which people are able to access experiences of integration and expansion which have a profoundly positive impact on them, just as I have.
I recently led a three-day, self-funded Groove Lab in NYC, where I shared my findings with a group of dancers. Together, we delved into both the physical and philosophical dimensions of groove, enriched by a rigorous movement practice and in-depth group discussions.
Looking ahead, I intend to expand this work beyond the studio. I would like to uncover more information about the physical process the body undergoes when in a state of groove or repetitive bounce and to consult experts in fields like physics, medicine, and nightlife history. This research has become foundational to my choreographic work and I look to continue developing it into something larger over the coming years.
Recent work in process for a new piece I am developing into a live performance as well as a dance film iteration of the work.
Dancers [Andrew Mulet, Daniel Santiago, Kristalyn Gill, Liana Kleinman, Damond Garner, Dasol Kim, Christine Flores, Kyle Livsey, Emily Cattan]
Photography [Jenna Maslechko]